photo credits: Beth Emily Richards, Andy Ford, Dom Moore & Hannah Cochrane
Rosalie Schweiker – Mince art vs. sausage art
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greenandowens – We will share our current practice/research, focusing on friendship, love, precarity, shared living, collaboration.
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LOW PROFILE – LOW PROFILE will share snapshots of a selection of projects and new ideas made for different contexts & situations, with an ongoing interest in people, relationships, collective actions & group experiences.
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Isobel Adderley – Being Both, the flicker between states of matter and word meanings
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Louise Hobson – Curatorial practice / projects / research
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Naomi Frears – School. Artists and a curator teach each other practical electronics, how to make bombay mix and how to make a bog suit from scratch in this alternative model for learning — now in its third term.
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Mark Leahy – A presentation on my practice, with a focus on voice, language and performance and how they intersect with identity.
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Rosie King: A quick fire look at how I have been developing my practice through the support of artist mentoring and getting involved with artist led networks and events.
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Wilf Speller: Report by the Institute of Archipelago Thinking.
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Ilker Cinarel: Turkey-Istanbul gay life and transgender culture & issues in Turkey. Public relationships with Transgender singers in Turkey.
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Katrina Brown: A choreographic view of drawing and a quiet politics of working in the horizontal plane of the floor.
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Cara Davies: Data, Decay and Documentation
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Steven Paige: Repeating: Why I try and try again… moving image/performativity/failure
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Megan Broadmeadow: SEEK PRAY ADVANCE
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Sophie Chapman & Kerri Jefferis: Sophie and Kerri will talk about anarchic, magical and potent mess; muscle memory and the place where bodies, material and linguistics rub up against each other.
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Zoe Toolan: Whisky, loss and lime milkshake.
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Anna Horton: Play, People and Place
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Robin Dowell: Why I was cursed by a witch — politics and my practice
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Jenny Cashmore: People and place.
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Stuart Robinson: Looking at signage and landscape within the context of my art practice
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Rosanna Martin: Amateur geology and stories from Lowland Point
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Antigoni Pasidi: Props, stages and architectures: selected works in sculpture and performance.
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Caitlin Heffernan: Site-specific commissions as an artist and curator
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Sarah Scaife: Drawing at the edge of language — how can I articulate those threshold experiences which are beyond words?
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Ben Sanderson: Historical figures I may or may not have painted
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Elena Brake: My practice since graduating and my plans for Plymouth Art Weekender
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Sara Downham-Lotto: Arts Lab CIC
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Amy Pennington: Haircuts, club reps, cardboard, and drawing are my particular career highlights.
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Kirsty Harris: 2 minutes to midnight
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Carly Seller: Land, body, breath.
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Laura Bottin: Imagine a city without outdoor advertising. Replace adverts with artworks
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Melissa Pierce Murray: Melissa Pierce Murray shows how she draws on scientific and poetic approaches to knowledge to create material metaphors which equally evoke emotional states and forces of immense landscapes.
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Cat Gibbard: Palace of Culture
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Martin Hampton: Martin Hampton filmworks
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Jonathon Harris: Put on a Big Smile and Act — emotional performance in the service of social conformity, with a particular emphasis on the workplace.
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Alice White: Working with people
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a-n The Artists Information Company: Paying Artists Campaign
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Blair Todd: What to cook for artists (when putting them centre stage in the gallery)
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Natasha MacVoy: The values of collaboration
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Tom Goddard: What’s the point of education?
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Sophie Bullock: Artist as mediator between the public and the institution / My practice development moving from exhibition led outcomes, to working in the public realm. Also, how my artistic practice enables me to work outside traditional bounds; from collaborations with academics and scientists, to working with local communities, schools, housing associations and private developers.
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Claire Tindale: The use of the ‘miniature’, or ‘model’, as the mechanism for exploring physical and psychological spaces within my current practice.
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Melanie Stidolph: Photography and moving image works
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Sara Bowler: Palimpsest of Place
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Rachael Allain: Above and Below the Horizon
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Hannah Leighton-Boyce: Ideas, materials, processes.
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James Fergusson: The transgression of planetary boundaries and some thoughts on off-world resource prospecting.
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Leanne O’Connor: UpSlide
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Simon Bayliss: Top 20 #satisfactionchallenge – inspired by the controversial online video of Russian air cadets dancing in their underwear to Benny Benassi’s ‘Satisfaction’
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Lucy Steggals: The Saturday Museum a collaborative project run by Lucy Steggals & George Moustakas an itinerant, mobile museum.
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Oona Wagstaff: Art-Science Collaboration through Drawing as an Embodied Process
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Ehryn Torrell: I will speak about making collage work with images torn from 1970s British Vogue magazines and producing them digitally as linen textiles with embroidery.
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Léonie Hampton: Matter at hand
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Lucy Rollins: Plymouth Arts Centre and PAC Home
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Ria Hartley: An intersectional journey through interdisciplinary practice
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Beth Davis-Hofbauer: I am a wreck: Art and Anxiety
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Honor Beddard: Wellcome Collection, London: who we are & what we do
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Sabrina Fuller: Visioning other futures
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Bram Arnold: How the Fuck does the Fucking Art World work
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Martha King: Producing as a practice of constellating
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Bo Lanyon: Highlights of recent work and projects including witches in bottles, artist networks, fear and ancestry.
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Bryony Gillard: Jellyfish, thinking, feeling, being.
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Explore the Jamboree 2018 archive & programme strands by following the links below:
Back to the Jamboree 2018 Archive
Seminars By Invited Curators & Artists
20:20 Talks
Walks & Talks
Communal Making Sessions
Camp Shop & Miniatures
Video & Moving Image Screenings
Guest DJs
LOW PROFILE’s Goodbye Toast
Writing, Reviews & Feedback